White Line tab - emmylou harris

From: Rick L [rickl1@IX.netcom.com]
Sent: Saturday, January 17, 1998 12:43 AM
Subject: CRD: WHite Line Emmylou Harris Chords/Lyrics

Emmylou Harris   White Line   written by Emmylou Harris
                                         Paul Kennerley


drums             Russ Kunkel/Larrie Londin
bass              Emory Gordy
keyboards         Shane Keister/John Jarvis
acoustic guitars  Albert Lee/Hank DeVitoBarry Tashian
                  Bobby Thompson/Paul Kennerley
electric guitars  Albert Lee/Vince Gill/Ray Flacke
steel guitar      Hank DeVito
mandolin          Albert Lee
fiddle            Buddy Spicher
harmonica         Steve Cash/Gary Scruggs
banjo             Bobby Thompson
slide guitar      Phillip Donelly
background vocals Dolly Parton/Linda Ronstadt
                  Gail Davies/Vince Gill/Barbara Cowart

   Eb               Ab    Eb        Bb
It seems like I was there from the start
                                    Eb
A witness to your wild and reckless heart
                  Ab      Eb         Bb
You showed me the way but now you're gone
Bb
Quicker than the trigger of an outlaw's gun

Living fast and dying young
                                 Eb
A victim of this road you left me on
Ab    Eb    Bb      Eb
White line took my baby
Ab      Eb        Bb   Eb
Led him down that dark highway
Ab       Eb         Bb      Eb
Headlight blind driving crazy
Ab    Eb          Bb
If my wheels keep turning
Bb                         Eb
Gonna roll that white line away
Eb                  Ab     Eb        Bb
We worked the road as hard as we could drive her
                         Eb
But now I am the only survivor
                       Ab    Eb      Bb
From night to night at every place I play in
Bb
The sweetness of your song remains

I'll be the keeper of the flame
                                        Eb
Til every soul hears what your heart was saying
Ab    Eb    Bb      Eb
White line took my baby
Ab      Eb        Bb   Eb
Led him down that dark highway
Ab       Eb         Bb      Eb
Headlight blind driving crazy
Ab    Eb          Bb
If my wheels keep turning
Bb                         Eb
Gonna roll that white line away
        Cm               Ab
All the nights you spent alone
        Eb              Bb
All the love I'd never shown
        Cm                Ab
All the words I could not say
          Eb                  Bb
Till that white line took you away
Ab     Eb   Bb        Eb   F
White line took you away
F                      Bb        F           C
I'll follow this white line down where it's winding
                                             F
Cause somewhere up ahead your light's still shining
F                Bb     F        C
The sound of the silver strings  will guide me

I've stood and watched the bridges burn

I'm past the point of no return
                                    F
Oh how I wish that you were here beside me
Bb    F    C        F
White line took my baby
Bb      F         C       F
Led him down that dark highway
Bb        F       C        F
Headlight blind driving crazy
Bb    F           C
If my wheels keep turning
C                          F
Gonna roll that white line away
Bb    F    C        F
White line took my baby
Bb      F         C       F
Led him down that dark highway
Bb        F       C        F
Headlight blind driving crazy
Bb    F           C
If my wheels keep turning
C                          F
Gonna roll that white line away



  From The Emmylou Harris "The Ballad Of Sally Rose" LP
  Warner Brothers Records 1984
  Emmylou Song(ASCAP)/Irving Music(BMI)

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Video White Line

The Buck Buckley Band, White Line @Cabbagetown Stomp & Chomp
Buck & Patrice & co singing Emmy Lou Harris' "White Line" -- hooooobaby...they are gooooood.

Emmylou Harris: "All I Intended To Be" - Letterman
Emmylou Harris sings the first cut-"Shores of White Sand"-of her new album: All I Intended To Be 1. Shores of White Sand (Jack Wesley Routh) 2. Hold On (Jude Johnstone) 3. Moon Song (Patty Griffin) 4. Broken Man's Lament (Mark Germino) 5. Gold (Emmylou Harris) 6. How She Could Sing the Wildwood Flower (Emmylou Harris, Kate and Anna McGarrigle) 7. All That You Have is Your Soul (Tracy Chapman) 8. Take That Ride (Emmylou Harris) 9. Old Five and Dimers Like Me (Billy Joe Shaver) 10. Kern River (Merle Haggard) 11. Not Enough (Emmylou Harris) 12. Sailing Round the Room (Emmylou Harris, Kate and Anna McGarrigle) 13. Beyond the Great Divide (J.C. Crowley and Jack Wesley Routh) Nonesuch Records will release Emmylou Harris' new album All I Intended to Be on June 10. This is Harris' third release on Nonesuch and her first solo effort since 2003's Stumble Into Grace. Of the selected material, Harris explains, "I've always seen myself as a relentless songfinder, a singer of other people's work whom I admire greatly, and an occasional songwriter." A North American summer tour in support of the record begins May 23 in California with more dates to be announced shortly. Recorded over a four-year span primarily at producer Brian Ahern's Easter Island Surround in Nashville, for the first time in 25 years, this album returns Harris to the producer she worked with for her first 11 albums. Taking its title from a line in the featured Harris-John Starling duet "Old Five and Dimers Like Me" (Billy Joe Shaver), the record includes both original material as well as some of Harris' favorite songs. As Fader magazine notes, "Harris' records are distinguished by an almost curatorial respect for the artifacts..." Longtime friends Kate and Anna McGarrigle co-wrote and sing on two tracks, "How She Could Sing the Wildwood Flower" and "Sailing Round the Room," while Dolly Parton, Vince Gill and Buddy Miller also contribute vocals on the album. A twelve-time Grammy winner and Billboard Century Award recipient, Emmylou Harris' contribution as a singer and songwriter spans 40 years. She has recorded more than 25 albums and has lent her talents to countless fellow artists' recordings. In recognition of her remarkable career, Harris will be inducted into the Country Music Hall of Fame on April 27. Of Harris, Tammy Genovese, CMA Chief Executive Officer says, "(Emmylou) possesses the voice of an angel. She is one of the most revered song interpreters on the planet, and has been instrumental in preserving country music's past while expanding country music's horizons throughout her career." New York's WFUV also honors Harris this spring, recognizing the singer with the Sound and Vision Award at its annual spring gala at Sotheby's on April 29.

Barry & Holly Tashian - Free Album Preview: Long Story Short
Go to http://www.tashianmusic.com to purchase the brand new album from Barry and Holly Tashian, "Long Story Short"! Finally, the Tashians' new album is ready! And it's a fun collection of original songs and a few cover tunes recorded live at Rich Adler's studio with Mike Compton (mandolin) Matt Combs (fiddle and mandolin) Mike Henderson (slide guitar) Ross Sermons (upright bass) and Kenny Malone (percussion). This is an eclectic blend of Americana styles, all acoustic "toe tapping" duets and solos ranging from bluegrass to swing, traditional country and even a touch of the blues. The CD is shipped with the insert and tray card included, but no jewel box (unless requested). This saves you money on postage and saves the environment from plastic waste. We all benefit as a result! We Don't Give up on Love Worry Doesn't Worry Me The Grey Funnel Line Rockin' Little Country Girl Long Story Short Honey, Where's The Money Gone The Promise Rock it Like it's Saturday Night Darkness on the Delta Sail Away Boogie Woogie Country Girl Barry & Holly Tashian are duet singers, songwriters and touring musicians who have known each other since high school in Westport, CT. They have performed and recorded together since 1972 and continue to perform together as a duo, a trio (with bass) or a foursome (with mandolin/fiddle). The Tashians have recorded 6 albums with producer Jim Rooney since 1989. In 1994 the National Association of Independent Record Distributors (NAIRD) awarded their album "Straw into Gold" Country Album of the Year. In 1998 their album, "Harmony" was nominated for Bluegrass Album of the Year by the Nashville Music Awards. They have performed together on numerous TV and radio shows and festivals worldwide. As songwriters, Barry and Holly have written for Kenny Rogers, Solomon Burke, Ty England, Daniel O'Donnell, The Nashville Bluegrass Band, Roland White, Kate Brislin and Jody Stecher, and many others. They also offer workshops on song writing and harmony singing wherever they perform. Barry first won national attention with his legendary rock group, Barry & The Remains, recording an album on Epic Records at age 19 and the band appeared on the Ed Sullivan Show and Hullabaloo. The Remains toured with the Beatles, as the opening act on The Beatles' North American tour in 1966. Barry wrote a book about the tour, Ticket to Ride: The Extraordinary Diary of The Beatles Last Tour, which was published by Dowling Press, Inc. in 1997. From 1980-1989, Barry was a member of Emmylou Harris' Hot Band, appearing on countless television and radio shows as vocalist and guitarist. He recorded 10 albums with Emmylou Harris during this period. Before that , he recorded with country rock innovator Gram Parsons on Gram's debut album "GP". Barry and Holly have recorded with Tom Paxton, Charlie Louvin, Nanci Griffith, Iris DeMent, Suzy Bogguss, and Delia Bell.

One too many mornings - bob dylan & Johnny Cash
Bob dylan and johnny cash perform one too many mornings.Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, author, musician, poet, and, of late, disc jockey who has been a major figure in popular music for five decades. Much of Dylan's most celebrated work dates from the 1960s, when he became an informal chronicler and a reluctant figurehead of American unrest. A number of his songs, such as "Blowin' in the Wind" and "The Times They Are a-Changin'",[2] became anthems of the anti-war and civil rights movements. His most recent studio album, Modern Times, released on August 29, 2006, entered the U.S. album charts at #1, making him, at age sixty five, the oldest living person to top those charts.[3] It was later named Album of the Year by Rolling Stone magazine.[4] Dylan's early lyrics incorporated politics, social commentary, philosophy and literary influences, defying existing pop music conventions and appealing widely to the counterculture. While expanding and personalizing musical styles, he has shown steadfast devotion to many traditions of American song, from folk and country/blues to gospel, rock and roll and rockabilly, to English, Scottish and Irish folk music, even jazz and swing.[5][6] Dylan performs with the guitar, keyboard and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the "Never Ending Tour". He has also performed alongside other major artists, such as John Fogerty, The Band, Tom Petty, Joan Baez, George Harrison, The Grateful Dead, Johnny Cash, Willie Nelson, Paul Simon, Eric Clapton, Patti Smith, Emmylou Harris, Bruce Springsteen, U2, The Rolling Stones, Joni Mitchell, Jack White, Merle Haggard, Jeff Lynne, Neil Young, Van Morrison, Ringo Starr and Stevie Nicks. Although his accomplishments as performer and recording artist have been central to his career, his songwriting is generally regarded as his greatest contribution.[7] Over many years, Dylan has been recognized and honored for his songwriting, performing, and recording. His records have earned Grammy, Golden Globe, and Academy Awards, and he has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and Songwriters Hall of Fame. In 1999, Dylan was included in TIME Magazine's 100 most influential people of the 20th century, and 2004, he was ranked #2 in Rolling Stone magazine's list of "Greatest Artists of All Time", second only to The Beatles.[8] In January 1990, Dylan was made a Commandeur des Arts et des Lettres by French Minister of Culture Jack Lang; in 2000, he was awarded the Polar Music Prize by the Royal Swedish Academy of Music[9]; and in 2007, Dylan was awarded the Prince of Asturias Award in Arts. He has been nominated several times for the Nobel Prize in Literature.[10][11][12] In 2008, Dylan was awarded a Pulitzer Prize Special Citation for his "profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."[13] Previous recipients of this award include Thelonious Monk and John Coltrane. [14] For a complete list of awards won by Bob Dylan, see List of Bob Dylan awards and accolades. from http://en.wikipedia.org/wiki/Bob_dylan Johnny Cash, born J. R. Cash, (26 February 1932 - 12 September 2003), was a Grammy Award-winning American country singer-songwriter. Cash is widely considered to be one of the most influential American musicians of the 20th century. Cash was known for his deep, distinctive voice, the boom-chick-a-boom or "freight train" sound of his Tennessee Three backing band, his demeanor, and his dark clothing, which earned him the nickname "The Man in Black." He traditionally started his concerts with the introduction "Hello, I'm Johnny Cash." Much of Cash's music, especially that of his later career, echoed themes of sorrow, moral tribulation, and redemption. His signature songs include "I Walk the Line," "Folsom Prison Blues," "Ring of Fire," "Get Rhythm," "That Old Wheel" (a duet with Hank Williams Jr.), "Cocaine Blues," and "Man in Black". He also recorded several humorous songs, such as "One Piece at a Time," "The One on the Right Is on the Left," "Dirty Old Egg-Sucking Dog," "A Boy Named Sue," and a duet with June Carter called "Jackson"; and various railroad songs, such as "Rock Island Line" and "Orange Blossom Special". He sold over 90 million albums in his nearly fifty-year career and came to occupy a "commanding position in music history".[1]from http://en.wikipedia.org/wiki/Johnny_Cash

Don't be nice
Scriptures for America 7_20_08 Part 10 Pastor Peter Peters www.Scriptursforamerica.com www.anotheruntoldstory.com www.sfawbn.com Short Wave By Pastor Peter J. Peters Whether you want to believe it or not, words have power. Certain words normally always are spoken when spells are cast. The Bible teaches there is such a thing as spells and thus there exists the ability to cast spells. There shall not be found among you anyone who casts a spell -Deuteronomy 18:10 NASB Words are part of spell casting all of which is part of what the Bible calls the sorcery of Babylon. All the nations were deceived by your sorcery. -Revelation 18:23 You can create and destroy with words and you can mold with words. God's creation came into being by the spoken word. (Read Genesis chapter 1). Then God said, "Let there be light"; and there was light. -Genesis 1:3 The first words of the New Testament read like this. In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. -John 1:1-2 In short, words have power. When ever you say the words, "I Am," stop and think what you are going to say next. For you'll become what you say. If, for example, men who keep saying "that pisses me off," or "I am pissed off," will in time develop prostate problems and have trouble urinating. If people always say, "I am sick and tired of," they will become sick and tired. Now with that said, I say to you, never say to your children be foolish, stupid, senseless, ignorant. Never say to your son be weak, foolish, effeminate. "Well, I would never say that to my son," oh yeah you would. It's done all the time. When you say to him, "now be nice, be a nice boy," what you are saying is be foolish, be stupid, be senseless, be ignorant and unknowing. You see that is what the word "nice" means. Read to the definition from the Online Etymology Dictionary for the word nice: "foolish, stupid, senseless, ignorant, not knowing." As a double witness I now give you one of the definitions of "nice" from the 1828 Webster's Dictionary: "Weak, foolish, effeminate." The first definition in that dictionary is, "Properly soft, whence delicate tender, dainty, sweet of very pleasant to the taste." To me this explains what we have for men in the modern day church world, those churches called Judeo-Christian churches, where Reverend so and so is so nice. Those men are such nice men. True Christian men should never be nice. They should be kind, caring, doing unto others as they would have others do unto them, but don't be nice. (Listen to our 8 PM central Broadcast 7-17-08 archived at www.scripturesforamerica.org wikipida Cultural References * Vampire: The Masquerade - Bloodlines is to kill a character named Jezebel Locke. Jezebel Locke is revealed to be a seductive vampiress that deliberately spreads a dangerous disease through the local human population in downtown Los Angeles, endangering the masquerade. * The song "Carnivale" by English Drum & Bass producer Lynx and German rapper Kemo features a mention of Jezebel along with many other religious mentions. * In an episode of The Bernie Mac Show, Vanessa puts on lipgloss and Bryanna "Baby Girl" calls her Jezebel. * Jezebel is mentioned in the ska song "Carry Go Bring Come" by Justin Hinds. * Louisiana sludge metal band Acid Bath has a song entitled simply "Jezebel" in which a woman, presumed to be a whore, is killed and mutilated. * There is a song lyric by EmmyLou Harris that refers to Jezebel--"You've been burned by Jezebel." * The Red Hot Chili Peppers' song Save This Lady features lines "Jezebel spirit's gonna steal my health..." * The 1985 Thompson Twins song "Roll Over" features the lines "Jezebel paid her way, sliding around on dirty sheets all day" * In Ken Kesey's classic novel One Flew Over the Cuckoo's Nest. At the end of the novel when Nurse Ratched discovers a patient, Billy Bibbit with a prostitute, she is at a loss for words as how to describe the women, when another patient, Harding, offers that she is a Jezebel. * The rock band, Atomic Wasteland Mutants, has a song entitled "Jezebel". The song cautions people to guard their soul from being taken by Jezebel, a physically beautiful but clearly evil demon. * Wyclef Jean's song "Linda" from his 2003 album The Preacher's Son references the story of Ahab and Jezebel. * Danity Kane's song "Bad Girl" featuring Missy Elliot from their 2008 album Welcome To The Dollhouse references a Jezebel as a wicked woman or a woman corrupted from the social norm. * Jezebel, spelled Dyesebel locally is a mermaid ...