Think About Me tab - fleetwood mac

F
All it took was a special look
      Bb                F
And I felt I knew you before
C              Bb
Didn’t mean to love you
Bb                    F
Didn’t think it would work out
F
But I knew we would be together
    Bb                  F
And I couldn’t wait for more
C                 Bb
But what can they say
Bb                  F
Its not against the law
F       Dm       C
I don’t hold you down
F                        Bb
Maybe that’s why you’re around
Bb             F
But if I’m the one you love
F     Bb    F
Think about me
F
I believe that you really want me
            Bb                 F
But its not easy, just to give in
C               Bb                 F
So let yourself go, and let love begin
F       Dm       C
I don’t hold you down
F                        Bb
Maybe that’s why you’re around
Bb             F
But if I’m the one you love
F     Bb    F
Think about me…….
 

Download PDF

Video Think About Me

Fleetwood Mac - Think about me - Live Tusk Tour 1980
Mobile, Al. 8-11-1980. With some pictures and footage of the Tusk doc. Written by christine mcvie. All it took was a special look And I felt I knew you before Didnt mean to love you Didnt think it would work out But I knew we would be together And I couldnt wait for more But what can they say Its not against the law I dont hold you down Maybe thats why youre around But if Im the one you love Think about me. I believe that you really want me But its not easy, just to give in So let yourself go, and let love begin.

~Think About Me~ Fleetwood Mac Live
Fleetwood Mac Live "Think About Me" The Tusk Tour

Fleetwood Mac - Think About Me
Enjoy :)

Fleetwood Mac - Gold Dust Woman
The song "Gold Dust Woman" by Fleetwood Mac from the Rumours album with a montage of Stevie Nicks photos. Enjoy! Below are two quotes, from Stevie Nicks, about the meaning of "Gold Dust Woman". "[On what Gold Dust Woman is about] Well the gold dust refers to cocaine, but it's not completely about that, because there wasn't that much cocaine around then. Everybody was doing a little bit ~ you know, we never bought it or anything, it was just around ~ and I think I had a real serious flash of what this stuff could be, of what it could do to you. The whole thing about how we love the ritual of it, the little bottle, the diamond-studded spoons, the fabulous velvet bags. For me, it fit right into the candles and incense and all that stuff. And I really imagined that it could overtake everything, never thinking in a million years it would overtake me. I must have met a few people who I thought did too much coke, and I must have been impressed by that. Because I made it into a whole story." ~Stevie Nicks, SPIN Magazine, October, 1997 "Gold Dust Woman was a little bit about drugs ~ it was about you know keeping going. It was about cocaine. And, uh, you know after all these years ~ since I haven't done any cocaine since 1986 I can talk about it now you know. But it was ,ah, at that point ~ it was ~ I don't think I had ever been so tired in my whole life as I was when we were like - doing that. You know I think it was shocking me ~ the whole rock'n'roll life ~ was really heavy and it was so much work and it was so everyday intense you know. Being in Fleetwood Mac was like being in the army. It was like you have to be there. You have to be there and you have to be there as on time as you can be there. And even if there nothing you have to do, you have to be there. So Gold Dust Woman was really my kind of symbolic look at somebody going through a bad relationship, and doing alot of drugs, and trying to just make it ~ trying to live ~ you know trying to get through it to the next thing." ~Stevie Nicks, VH1 The Making of Rumours, 1997

Fleetwood Mac Rumours vs. Tusk
With some footage of the grammy award ceremony, the one where they got their prizes for Rumours. Some reviews of Tusk: Fleetwood Mac's hotly anticipated followup to Rumours continues in the band's tradition of making precision soft rock music with an accent on beautiful melodies, fluid harmonies and superb vocal work. Given that this is a two-record set, the band injects a few tracks that deviate from the traditional Fleetwood sound such as in "Tusk," the album's initial single. Yet the majority of tracks boast the group's svelte, gently rocking sound that won't disappoint. In fact, there are a number of tunes that sound as if they were culled right off the Rumours LP. The band has always been a stickler for quality and the playing of Mick Fleetwood, drums; Lindsey Buckingham, guitar; John McVie, bass; Christine McVie, keyboards; and Stevie Nicks is first-rate all the way. Nicks, Buckingham and Christine McVie penned all 20 songs which cover a broad base of styles. Best cuts: "Storms," "The Ledge," "Brown Eyes," "Never Make Me Cry," "Walk A Thin Line," "That's All For Everyone," "Sisters Of The Moon," "Tusk," "Over & Over." - Billboard, 1979. A million bucks is what I call obsessive production, but for once it means something. This is like reggae, or Eno -- not only don't Lindsey Buckingham's swelling edges and dynamic separations get in the way of the music, they're inextricable from the music, or maybe they are the music. The passionate dissociation of the mix is entirely appropriate to an ensemble in which the three principals have all but disappeared (vocally) from each other's work. But only Buckingham is attuned enough to get exciting music out of a sound so spare and subtle it reveals the limits of Christine McVie's simplicity and shows Stevie Nicks up for the mooncalf she's always been. Also, it doesn't make for very good background noise. B+ - Robert Christgau, Christgau's Record Guide, 1981. In some ways more impressive than Rumours, this two-record set (compressed onto one CD by editing "Sara," one of its hits!) is an ambitious effort full of unusual arrangements and striking instrumental passages, plus a wealth of topflight songwriting. * * * * - William Ruhlmann, The All-Music Guide to Rock, 1995. Tusk is more an eccentric masterpiece than a pop masterpiece, with Lindsey Buckingham running wild and reinventing lo-fi on his pieces while Stevie Nicks ("Sara") and Christine McVie ("Think About Me") keep the group in the mainstream. * * * * - Steve Holtje, Musichound Rock: The Essential Album Guide, 1996.