Verse 1
G C7
I’ve got a bike you can ride it if you like it’s got a basket,
G
A bell that rings and things to make it look good.
D7 G
I’d give it to you if I could but I borrowed it
Chorus
Am G
You’re the kind of girl that fits in with my world
Am G
I’ll give you anything everything if you want things.
Verse 2
G C7
I’ve got a cloak it’s a bit of a joke,
G
There’s a tear up the front it’s red and black I’ve had it for months.
D7 G
If you think it should look good then I guess it should.
Chorus
Verse 3
G C7
I know a mouse and he hasn’t got a house
G
I don’t know why I call him Jerold
D7 G
He’s getting rather old but he’s a good mouse.
Chorus
Verse 4
G C7
I’ve got a clan of ginger bread men,
G
H ere a man there a man, lots of ginger bread men.
D7 G
Take a couple if you wish there on the dish.
Chorus
Verse 5
G C7
I know a room of musical tunes,
G
Some rhyme some jing but theres never not one
D7 G
Lets go in the other room and make up one.
Pink Floyd - Bike
Pink Floyd - Bike.
Belgian TV, Feb 1968.
The end credits from that Belgian show that the other Belgian videos are from.
Pink Floyd - Bike animated video
An animated video set to the Pink Floyd song "Bike."
Edit: I did NOT make this video BTW.
Pink Floyd - Bike
In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a s In January 1967, prior to recording The Piper at the Gates of Dawn, the band had produced at Sound Techniques Studio in London a single entitled Arnold Layne. The single was later released in March of that year and reached #20 in the British charts. Also in January the band had recorded a 16-minute version of Interstellar Overdrive and an improvised jam called Nick's Boogie, for Peter Whitehead's documentary film Tonite Let's All Make Love in London. (The latter track wasn't released until 1991 on the CD reissue of the film's soundtrack). The band's live show consisted mainly of instrumental numbers and blues covers, however they had started to introduce songs which were written primarily by lead guitarist and lead vocalist Syd Barrett. Many of these songs written by Barrett appeared at the Games For May concert several months before the release of the album.
Recording of the album began on the 21 February 1967 in studio three of Abbey Road Studios at the same time The Beatles were recording Sgt. Pepper's Lonely Hearts Club Band and The Pretty Things were recording S.F. Sorrow. The album was produced by Norman Smith, an EMI staff member who had previously engineered all of The Beatles recordings up to 1965's Rubber Soul. Smith would go on to produce Pink Floyd's follow up album, A Saucerful of Secrets. "Interstellar Overdrive" and "Matilda Mother" were two of the first tracks recorded, as the latter was viewed as a potential single. "Interstellar Overdrive"s kinetic and spacey production, came from the insistence of the normally conservative Norman Smith, whose work on the record is often criticised because it is seen that he tried to make the album more pop orientated[citation needed]. An early, unoverdubbed, shortened mix of the album's "Interstellar Overdrive" was used for a French EP released that July. In April, the band recorded both "Percy the Rat Catcher" (this would later be called "Lucifer Sam"), and a currently unreleased track called "She Was a Millionaire". At some point during the album's creation, Nick Mason recalled that they were "ushered" into studio 2 where The Beatles were recording "Lovely Rita". Several conflicting views surround how efficiently the recording of the album actually went. In his book Inside Out: A Personal History of Pink Floyd, Nick Mason recalled that the sessions went smoothly and that the whole process was extremely efficient. Norman Smith however, condemned both the album's recording and the band members' musical abilities. Smith later stated that the sessions were "sheer hell". However, both "The Gnome" and "The Scarecrow" were recorded in one take. Indeed a large proportion of the album is credited solely to Barrett, with tracks such as "Bike" having been written in late 1966 before the album was even started. "Bike" was originally entitled "The Bike Song", and it was recorded on 21 May 1967. The last recording session took place on 5 July 1967, with the track "Pow R. Toc H." being one of last songs added to the album.
Vic Singh photographed and designed the album cover, unlike subsequent Pink Floyd albums. The album remains one of the few to actually feature the band members on the front cover. The album's title comes from the title of Chapter Seven, "THE PIPER AT THE GATES OF DAWN," of Kenneth Grahame's The Wind in the Willows, where Rat and Mole, while searching for Portly, the lost son of Otter, are drawn to a place where the 'Piper' is playing on his reed flute.
"`This is the place of my song-dream, the place the music played to me,' whispered the Rat, as if in a trance. `Here, in this holy place, here if anywhere, surely we shall find Him!'"
(The 'Piper' referred to is the Greek god Pan.)
Portly was found near Pan.
Lyrics: Due to lack of space, i decided to focus on the description, sorry i wasn't able to provide the lyrics.
Pink Floyd- Bike
pink floyd
Pink Floyd Live 1975 Shine On You Crazy Diamond 1 of 2
Excellent recording from the Los Angeles Sports Arena, April 26, 1975. The bootleg is called Echoes from the Past. This is the third song of the night after Raving and Drooling and You Got to Be Crazy. I cut out about 2 minutes of the keyboard intro to keep it to about 10 minutes.
Video is from an Urban Adventure Ride on Wed. Feb. 13, 2008. From Tavern on the Green, Central Park to Columbus Circle to Times Square, Radio City Music Hall, then over to the 59th St. Bridge; then from Queens over the Pulaski Bridge into Brooklyn
Check out Part 2 for the rest of the song. After I moved to California...
pink floyd tabs